The Single Effect In Edgar Allan Poes The Cask of Amontillado

It was Edgar Allan Poe’s belief that short stories should be told with only one aim in mind, that of achieving a single effect upon the viewer by the time the story ends. Advertising We will write a custom essay sample on The Single Effect In Edgar Allan Poe’s The Cask of Amontillado specifically for you for only $16.05 $11/page Learn More Joy, despair, horror, tragedy, whatever the emotion, it must be established early on in the story, as early as the first few lines if possible, in order to achieve its fullest impact with the readers. As such, he insured that all his short stories had incidents and events that helped moved the story along from the get-go. The very first words uttered by the author at the start of the story carried the hook necessary to reel the reader into the story with the desired effect. This is all done so that by the end of the story, the reader will have a sense of satisfaction and the writer will have achieved his pre-established story design. For me, the best Edgar Allan Poe story that truly embodies the definition of a single effect would have to be â€Å"The Cask of Amontillado†. It is my opinion that this story effectively fulfills the requirements for the single effect story telling policy of Poe. I will explain how that is done in the succeeding paragraphs below. Horror. That is the central theme that The Cask of Amotillado revolved upon amidst the backdrop of revenge among friends masked by drunkenness and gay festivities that blur the line between friend and foe. Set at night during the carnival season, the quick transition from the gay festivities of the European night streets to the somber, dark, damp, and terrifying catacombs clearly aids in establishing the upcoming horrors that shall unfold for the unsuspecting Fortunato. There could have been many ways in which Poe could have presented the point of view of the characters in The Cask Of Amontillado, but he chose to presen t it from the point of view of Montresor. The reason behind this is that by presenting the sometimes clouded memories of the antagonist in the story, he is able to present us with a memorable and effective lead character. By making him an unreliable narrator, he keeps with his single effect principle, deciding to use a character that would immediately grip our imagination and offer a study into the twisted mind of an alcoholic criminal. Advertising Looking for essay on american literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More The same could not have been said if he opted to use the viewpoint of Fortunato because there would be a lack of gripping clarity in storytelling since Fortunato is the victim in the tale and was knocked out while most of the events were unfolding. The story would in effect have lost its sense of suspense since, as a reader, there would be no way that we would ever know what was passing through Montresor†™s mind as he implemented his evil deed. As Montresor continues to reveal the weaknesses of his friend for the readers, Poe continues to build up the suspense as he involves the readers by making one wonder as to how Monteresor will exact his vengeance upon his drunken friend. Therefore, the single effect of this short story is made quite clear by its main character, that of the horrific death of his close friend as told by its the perpetrator. Having said that, we can see that Poe has chosen the best way by which to set the scenes for the story that is about to unfold. Each and every sentence that he wrote was meant to, and successfully advances the story to the next, heightened level of horror as only he could write using his single effect theory. There is no mistaking the fact that the horror unfolding before the reader’s eyes, calling into question whether Montresor even thought about the moral, never-mind the psychological, implications of his actions. I still remem ber the chill that I felt upon reading the lines † The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge.† I knew that it was a foreshadowing of what was to come for the unfortunate friend, yet, I still could not understand why he had to do it. In The Cask of Amontillado, these lessons and themes are taught through the vivid use of irony, foreshadowing, and metaphor. The irony of these two friends sitting together and sharing a drink, discussing wine vintages, while Montresor bides his time before snuffing out the life of the man he once considered his friend. The foreshadowing of the walk within the concrete catacombs where his friend would soon be imprisoned to die, and finally, the metaphor represented by the family motto of Montresor, â€Å"Nemo me impune lacessit†, are all crucial elements of the single effect principle that Poe worked hard to present within this short story masterpiece. Advertising We will write a custom essay sample on The Single Effect In Edgar Allan Poe’s The Cask of Amontillado specifically for you for only $16.05 $11/page Learn More The Cask of Amontillado is one of the best examples of effective and impressive single effect short stories. From the very first line of the story, to the very last word uttered, the reader will find himself on a dark roller-coaster ride of human emotions, feeling the horror that the poorly named Fortunato experienced as the final brick was laid by Montresor at his final resting place. 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Microbiology Final (Research Project) Research Paper

Microbiology Final ( Project) - Research Paper Example Excluding the Reston subtype of Ebola virus, all other types cause infection in the humans (Reddy 2002). The virus was identified initially in the year 1967 in Marburg, Germany after the presence of this virus was seen in workers of a laboratory. This was owing to their continuous contact with monkeys in the laboratory (Carruthers et al 2005). Ebola viruses are structurally classified as complete viral particles which show pleomorphism in their shapes. It can be long, filamentous or in circular forms. The dimensions of the virus are length of 14,000 nm and diameter of 80nm, encompassed in a membrane composed of lipid molecules. Ebola is a single-stranded RNA virus and it multiplies through the process of asexual reproduction, budding. Ebola virus consists of seven structural and one non-structural protein. Nucleoprotein is the major structural protein and others include virion structural protein (VP) 30, VP 35 and large protein (L) (Georgiev 2009). Ebola virus’s natural habitat is still not completely known by the microbiologists but it has, however, been established that Ebola virus is an animal-borne or zoonotic virus. Therefore, it maintains its natural reservoirs in animal hosts (Reddy 2002). Ebola life cycle initiates with the entry of the virus into different types of cells through the viral surface glycoprotein which regulate the entry of the virus. Figure 1 provides an overview of the entry of the virus into the host cell. Certain receptors on the cell surfaces promote the entry of the virus and render them vulnerable to the attack of the virus. These receptors include folate receptor-a, proteins of C-type lectin family and L-SIGN receptors expressed on Jurkat cells, macrophages and endothelial cells respectively. Once, binding and fusion of the virus in the cells is complete, the viral genome is uncoated. However, little is known about this process. The